In the scene above, Azucena is joined by her beloved son, the Troubador who gives the opera its title. Well, actually, he's NOT her son. He's the son of the old Count and the brother of the young Count, who is his sworn enemy and his rival for the beauteous Leonora. You see, after her mom was murdered, Azucena stole the baby in revenge, but she got him confused with her OWN baby and....
Well, this is opera, folks. I can only say that the storry was thrilling, compelling and worthy of suspending your disbelief.
Verdi's music is just plain gorgeous -- lovely or gripping melodies, duets, trios, arias -- all that great stuff that you don't get in most modern operas, which have scores that could have written by ME, they're so bland. The orchestra was dynamic and never too loud, under the expert leadership of Eun Sun Kim, the new musical director. |