Somehow, it seems appropriate, on the eve of Thanksgiving, to write about a wonderful Indigenous singer and activist whose music was actually censored by the U.S. government -- an artist who is, at 81, finally up where she belongs.
Have you ever heard Buffy Sainte-Marie sing in concert, live? The first times for me were in the 60s and early 70s. She sang of love, as everyone does, and she sang of the injustices perpetrated against her people, Indigenous people. I never heard anyone else sing about that in the 60s. So Buffy was educating me as she entertained me.
Whether the lyrics spoke of the delights of love or the history of her people, somehow a current of joy flowed from the singer to me in the audience. Buffy Sainte-Marie always lifted me up. She was one of those joyful performers.
Most recently, I heard her at a free concert outside iLincoln Center in New York. It was 1997. I remember seeing the poster advertising the event. Buffy Sainte-Marie? I hadn't heard her name in years, decades. Where had she been? To me, she remained a star. I had to go to that concert. I dragged an unwilling friend along with me.
We came early to that cold, concrete pavilion, because I was certain the event would be mobbed. But no. It was a decent crowd, but there were empty chairs. How could this be?
Oh well. She had the same bright, rich voice, the same beauty, the same rage against injustice, the same poetry in her lyrics. The same joy flowing outward to us. Wow. I didn't realize how much I had missed her. My friend was appropriately blown away.
And now, Sainte-Marie, 81 years old, is the subject of an "American Masters" documentary on PBS, "Buffy Sainte-Marie: Carry It On." And there is a long article about her in the NY Times. So she is finally getting her due. She has inspired singers from Joni Mitchell to Robbie Robertson to the Indigo Girls. "She's a massive bright light and a guide to so many," said Indigenous singer, Tanya Tagaq.
Sainte-Marie is the first Indigenous person to win an Oscar, for her pop hit, "Up Where We Belong," used in the movie "An Officer and a Gentleman." And she's the first woman to breastfeed her baby on television, on an episode of Sesame Street! ("Lots of mothers feed their babies this way," she explained to an inquisitive Big Bird.)
That's quite a range of accomplishments. And yet somehow, as she became more active in the American Indian Movement in the 60s, Sainte-Marie found it more and more difficult to get a concert booking.
From the NY Times: |
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