Wednesday, November 20, 2024

What to do about Gaza NOW!

Dear Friends & Bloggellinis who want to stop the slaughter in Gaza: I'm sending this out now for you to act now. The point is, there atually IS a way for Congress to stop the funding of arms to commit war crimes in Gaza -- A Joint Resolution of Disapproval. Good old Bernie is using it to do precisely that. Admittedly, it is the longest of possible shots. But at this point, it is something we can do that is using the laws of our country to stop U.S. support of the slaughter of innocent civilians. PLEASE ACT ON THIS NOW, BY EMAIL OR PHONE. Thank you. Terry

If you have already taken this action,
please pass this on to others via social media and email forwarding.

Diana,

Next week, for the first time, the Senate will vote on directly blocking weapons from being sent to Israel. Your senators need to hear from you now! If you have not sent a message supporting Bernie Sanders Joint Resolutions of Disapproval to end military aid to Israel, now is the time to act.

As the Israelis continues to decimate Gaza and its war of aggression in Lebanon continues unabated, Congress must send a message to Israel's leaders that we will no longer give them unquestioning support.  Sen. Bernie Sanders (I-Vt.) announced in a Senate speech his plan to file Joint Resolutions of Disapproval (JRD) to block over $20 billion in offensive U.S. weaponry sales to Israel. The JRD is Congress's only means to prevent these arms sales. (Fact Sheet)

SEND YOUR MESSAGE

Senator Sanders is seeking Senate support and cosigners for these resolutions. (https://bit.ly/sanders-dear-colleague-letter) The Senate will vote on the resolutions the week of November 18. He needs our help!  

Please take a moment now to send a message to your senators to urge them to cosponsor and support Bernie's resolutions?  **Your voice can make a difference.** A sample message is provided for you to send to your senators. You can use it as is, modify it, or write your own. Your message will be delivered automatically. Or you can transmit your message by phone (how to, below).

Thank you for your continued support and solidarity with the Palestinian people. Together, we can help end this war and foster lasting peace in the Middle East.

SEND YOUR MESSAGE

P.S. You can also call your senators to share your message. Find their contact information at https://www.senate.gov/senators/senators-contact.htm.

Tuesday, October 22, 2024

LONG TIME NO BLOG

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October 22, 2024



LONG TIME NO BLOG



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Below: A moment from the last performance of Lesbo Solo

When last heard from (August 20), I had opened Lesbo Solo at the San Francisco Fringe Festival and received some delightful audience reviews. Since then, I performed two more times (sold-out houses) & received MORE delightful audience reviews! Click here to read any and all of the reviews.


My favorite short review is:

  • "Terry Baum — as always charming, goofy and artful — tells her personal tale and the story of a movement. Funny and surprisingly touching."

Wow. Can you go any higher than "charming, goofy and artful"? Not to mention ALWAYS manifesting these qualities! I have never aspired to be goofy, but only because I never thought I could possibly achieve such an exalted state as goofyhood. I'm STILL not sure it happened, but I'm thrilled that one fan saw it in me.


I will certainly be performing My Gay History Play (the new title of Lesbo Solo) as soon as possible. I am determined to do it during the first week of 2025 somewhere, possibly in my own living room, possibly my girlfriend's living room.


WAIT A MINUTE.


Did I use the word "girlfriend"?????? Have I ever before used words like "girlfriend" or "lover" or "love relationship" or "partner" in BAUMblog when referring to my own current life??


No, I have not. I have been single for more than ten years. I was always hoping somebody would ask me how I felt about being single, so that I could say "I hate it."


I will now reveal the reason that -- even though the whole world has been busy falling apart -- your hyper-opinionated BlogMistress couldn't be bothered to weigh in on any of it. Yes, I admit I have deserted my Bloggellinis in your hour of desperate need. I have not supplied the analysis, the outrage, the links to activism, that you might rightly have expected of me.


And it is all because:


I have met someone.

I have fallen in love.



Falling in love can be very time-consuming. Perhaps it is even more time-consuming when one is 77. After all, everything takes more time to do when you're 77. Walking up a hill, making the bed. Why not falling in love?!?


And not only does falling in love take an inordinate amount of time, reducing the amount left over for blogging -- it has the effect of making me less interested in, not only blogging, but EVERYTHING ELSE. For example, I have learned to my chagrin that I simply CANNOT begin a sexual relationship when I'm opening a new show.


When this did happen in 2007, the new relationship caused me to lose my intense focus on my work. Unfortunately, there was a serious problem: Opening Night was nigh, and Baum for Peace wasn't ready to open. There were many songs and dances, which always demand far more rehearsal than mere words. My co-star, Scrumbly Koldewyn, urged me to face the problem. It was indeed my responsibility, since I was not only playwright and star but also producer. But I ignored his wise warning. I didn't care enough about the show because I was focussed on my new girlfriend. And on opening night, all the critics showed up. And every single review they wrote used the word "amateurish" to describe the performance. Every. Single. Review. The simple truth was that we weren't ready to open on opening night, and it was my fault. And that is the ONLY TIME in my very long theatrical career that the word "amateurish" was EVER used in a review to describe my work.


So this time, with Lesbo Solo, I waited to get horizontal with my new love until after my last performance, so I could maintain my work focus.


Actually, I had always planned to devote myself to the ELECTION as soon as Lesbo Solo was over. NOTHING is more important to me than being a good citizen! Absolutely nothing! I have been a full-time volunteer, for campaigns I believed in, many times. If theater kept me busy through August, I was very clear that September and October would be devoted to POLITICS ONLY! I told all my friends that, as a way to encourage them to make the same commitment.


But although I do truly believe that it is my job (along with a few billion other people) to save the world, and the main way I try to do it is by:

  • Volunteering long hours on election campaigns and...
  • Writing BAUMblog...

I seem to have

temporarily

lost my interest

in saving the world.


I do understand that this is the most crucial Presidential election in my lifetime. There is also a very important election for Mayor of San Francisco. But I have not done a damn thing about either of these races.



This is how it is:


I was walking home one evening after attending a fascinating interview with the Chronicle's classical music critic at Manny's, a cafe and civic event space. I met a woman on the corner of 18th and Castro. She had seen me perform six weeks earlier. She is a very wonderful person, and eventually, we fell in love. My beloved is the center of my life. Being with her, loving and being loved by her, examining in detail every little bump on the road we are taking together -- these are my priorities right now.


So If the world is going to be saved at this perilous moment, it will have to be without my participation. All my energy, my passion and compassion, are directed toward this one human being.


And

after all these years

of theater

and activism,

this feels

so very right

to me.


I've introduced my girlfriend to all my friends, so she's no secret. But she's a very private person, the opposite of the exhibitionist she fell for. She doesn't want her name and picture sent out to all my Bloggellinis. But I'd like to share a photo of her that I took on the day I told her I was falling in love.

In fact, she fell in love with Nikki first.


She was not a dog person. But Nikki is an incredibly mellow dog. And he won her heart. He is her first dog love.


And isn't that graffiti, on the concrete wall, beyond perfection?


So, Bloggellinis: My goal is to write one BAUMblog a week on .... whatever grabs me. But I ain't promising anything. Terry



Tuesday, August 20, 2024

 

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August 20, 2024


FINAL LESBO SOLO SHOWS


SATURDAY @ 12PM, SUNDAY @ 3PM

Tix: lesbo-solo.eventbrite.com

(plus an unexpected rave)



PREVIOUS BLOGS: TERRYBAUM.BLOGSPOT.COM

PLEASE FORWARD THIS TO ANYONE WHO MIGHT BE INTERESTED.

PODCASTS, EVENTS, INFO, POSTERS: LilithTheater.com

2024 San Francisco Fringe Festival

Presents

LESBO SOLO

A Gay History Play

Saturday, August 24 @ 12:00pm

Sunday, August 25 @ 3:00pm

277 Taylor Street in San Francisco

Tix: $17.85

lesbo-solo.eventbrite.com


I got this audience review of LESBO SOLO on the Exit Theatre website:  


  • "After seeing Terry in Lesbo Solo, I realized that there are so many layers in a person’s personality. Terry lays it all out there with laughs, some history of the beginning of the gay movement, and her commitment and contribution to it. All in all, it was engaging and fun and a great joy to see Terry in a totally different light, than before. It was a fast hour, leaving me wanting more. I highly recommend it." 


I assumed it was from someone who had seen me in HICK  and was surprised at how different the new show was. But when I walked into my local pet store, The Animal Company, on 24th Street, I discovered it was Rick, the owner! He has only known me as the owner of Nikki!  

Nikki tries to guide me into The Animal Company every day, and often succeeds. Yesterday I was welcomed as a conquering hero by Rick and his wife. (I don't remember her name; I only remember Rick's because he signed his review. I'm very bad at remembering names and recognizing faces.)  

To have The Animal Company a few blocks away is a very important and special merchant/customer relationship. A pet store owner is also an adviser. Rick recommended a supplement that actually made Nikki's eyes better.  And, when Loulou left the planet, I felt Nikki needed a new collar to cheer us both up, and The Animal Company had a beautiful selection of embroidered ones from Mexico:


I try to keep Nikki in blue. I do feel it's his color.

Anyhow, I'm so glad that these wonderful people took the time to come to my play. 


Dear Bloggellinnis: I'm doing some rewriting of Lesbo Solo, as is my wont. I'm hoping you can come. Also, I've seen a really good Fringe show.  Homage  has some more performances. I highly recommend it. A solo where the actress plays herself, her mother, and her grandmother. I was captivated by all three characters. It's a story of immigrant survival, the Holocaust, family dynamics. Really a deep piece. Go to theexit.org to get tickets for all Fringe shows. Terry


To see the other Lesbo Solo reviews, click here.   


Tuesday, August 13, 2024

LESBO SOLO Opens! Read the Raves!

 

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August 13, 2024


Lesbo Solo Takes Flight!

Read the Raves!

Click Here for Tix to Lesbo Solo

August 24 @ 12pm

August 25 @ 3pm

These are some audience reviews in response to....


THE OPENIING OF A BRAND-NEW SHOW!!!!!


  • "Just such a beautifully moving and heartwarming personal narrative of lesbian love, defeat, triumph and herstory brilliantly delivered and told through the eyes of a San Francisco playwright and artist. Bring your tissue. You will experience a variety of tears. Thank you, Terry."

 

  • "A charming, hilarious, illuminating trip through Terry’s personal history, which lines up with cataclysmic changes in feminist and lesbian history in the US. Don’t miss it!"


  • "You will laugh and cry happy catharsis tears. This was my first lesbian history lesson and I want everyone, but especially every bisexual, pansexual, demisexual, queer, lesbian person to see it too."


Thank you so much to my very articulate audience reviewers.


Well.


In fact, the show changed since my last blog.


I always had a scene in Lesbo Solo titled "Coming-Out Story." I also had other scenes. Basically, "Coming-Out Story" grew and grew and pushed all the other scenes off the cliff.


It is such an exhilarating experience to commit to opening a show on a certain date -- and then find out in rehearsal that you really did not know what show you were going to open when you signed up!


Thank goodness the title still works. But the subtitle, no. This is not anymore "One Dyke's Life in the Theater." It is now "A Gay History Play."


The fact is I have had quite an amazing life. I have witnessed and made gay history.


Lesbo Solo begins when I am 16 years old, at a time when teachers could be fired if they were rumored to be homosexual. It ends... Well, I won't tell you how it ends. You have to come see the show for that. But I will tell you that the entire audience gasped in amazement.


And, it seems from the reviews, some cried tears of happy catharsis.


So, you lazy bums, (I'm talking to all you Bloggellinis in driving distance of San Francisco)...


WHAT'S NOT TO LIKE?!?



Call me crazy, call me old-fashioned, but I prefer to perform to a sold-out house. It's just a weird quirk. And THIS is a small theater. Get your asses down to 277 Taylor, so you can say in the future, "I saw Lesbo Solo in a tiny theater in the Tenderloin in San Francisco when it first opened."


DO COME.

2024 San Francisco Fringe Festival

Presents

LESBO SOLO

A Gay History Play



Saturday, August 24 @ 12:00pm

Sunday, August 25 @ 3:00pm

 


277 Taylor Street in San Francisco

 

Tix: $17.85

lesbo-solo.eventbrite.com



Friday, August 9, 2024

I LIED TO YOU!

 

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August 9, 2024


I LIED TO YOU!

(Click Here 4 Tix 4 8/10 Lesbo Solo)

I know, I know. I told you I would perform "Are You the One?", which involves me running through the audience falling in love and breaking up with one woman after another. I'm not going to do that because, with an absolute time limit of 60 minutes, there's not enough time.


Actually, "Are You the One?" was always a dicey proposition because I was very worried that what was hilarious for a 40- or even 50-year-old actress to do would be pathetic when performed by a 77-year-old actress. Below is a poster from a run of ONE FOOL in Amsterdam, which begins with "Are You the One?"

You can see that's from long ago, because, at the time, you could bring in an audience by using a review that compared you to Woody Allen. Actually, I always thought of Woody Allen as "The heterosexual male Terry Baum." But. as far as I know, he never used that in his publicity. And I certainly would never dignify him with that title now, after all I know about his personal life. My personal life is pristine by comparison -- in its own way. (The fantastic poster is by my friend Lucille Moquette.)



But I digress.


And I also told you I was going to do

a scene where "Terry's mother (a hand puppet) comes back from the dead, to hound Terry to marry her gay male friend so that Mom will have something to brag about in heaven."


I'm not going to do that either.


I DID do some work on that scene. I came up with an idea of Mom singing a song about "naches," which is a Yiddish word that refers to what your children do that you would like to brag about to other parents. Children are supposed to give their parents naches -- that is, things to brag about.


I gave my parents literally no naches when they were alive (until after I confronted my dad and demanded he be proud of me, but I digress.) And I thought it would be very funny to have Mom demand naches in a song. I asked David Hyman, my lyricist, to write the song, and he came up with some great lines:


I want naches

I deserve some naches.

Like my friends should say “hmm

That young lesbo’s done some-

thing to shock us.”


That's just a taste of the lyrics. So I did the work of coming up with an idea, and David did the real work of writing lyrics. And then I realized I did not have time for this scene either. I'm sure I will perform it eventually, but not as part of LESBO SOLO. Also, I'm a little concerned about the "Do not speak ill of the dead" issue. Am I speaking ill of my mom? Should I worry about some old saying that I don't necessarilly believe is true anyhow? Would Mom, who never said a Yiddish word, be insulted to sing about naches? Does she have the ability to curse me from Heaven, which I don't believe in anyhow? I don't have to think about these issues because truly there's no time for the song.


Here's me and Mom from the workshop production of WAITING FOR THE PODIATRIST:

This first Mom puppet was made from an oven mitt by my dear friend Mary Wings, who was the first person to create a gay comic. Sadly, she died on July 3. There is an obituary of Mer in the New York Times.


But I digress.

Anyhow, the other things I said were true. And LESBO SOLO opens tomorrow night. Info on all the performances below. Do come. Terry


2024 San Francisco Fringe Festival

Presents

LESBO SOLO

One Dyke's Life in the Theater


Saturday, August 10 @ 7:30pm

Saturday, August 24 @ 12:00pm

Sunday, August 25 @ 3:00pm

 


277 Taylor Street in San Francisco

 

Tix: $17.85

lesbo-solo.eventbrite.com



Wednesday, August 7, 2024

STEPPING INTO THE UNKNOWN WITH LESBO SOLO

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August 6, 2024


Stepping into the Unknown

Lesbo Solo Opens Sat. 8/10!

(Click Here 4 Tix)

Saturday, August 10 @ 7:30pm

Saturday, August 24 @ 12:00pm

Sunday, August 25 @ 3:00pm


San Francisco Fringe Festival

277 Taylor Street in San Francisco



Tix: $17.85

lesbo-solo.eventbrite.com

Usually, by the time I open a play, I have had so much feedback from other people that I am very certain that the audience will approve of what I have written. But with LESBO SOLO, I'm working without a director, which is very unusual. Even when I'm producing something that I've performed many times for years, I have a director guiding me, as I did when I just had a run of HICK at the Marsh. Now here I am, doing something basically new without that support.


I have gotten a lot of help with the script from Carolyn on Zoom. Even though we're far apart, my long-time collaborator is still necessary to me. But bringing the script to life, I'm pretty much on my own.


Thank goodness my new friend Susan has agreed to be my stage manager. She has been incredibly helpful and hard-working. This is a very minimal show technically. But still there are things to be done, and she is up for doing everything -- and then doing publicity on the side. And Susan's comments on the play have been perceptive and helpful. She's been been such a gift. Thank you, goddess.


But still I'm far more solo than I've been for a long time. And I haven't had enough feedback to say for sure that LESBO SOLO will work as an evening in the theater. I guess I'll find out on Saturday. It's exciting and a bit nerve-wracking. I'm stepping off into the unknown.


This is all reminding me of when I did my solo play IMMEDIATE FAMILY for the first time. It was at the first women's theater festival, in Santa Cruz in 1983. IMMEDIATE FAMILY is about Virginia, at the bedside of her comatose wife, Rosie. She has no legal right to say anything about Rosie's medical treatment because of course they're not married. There were no domestic partners back then either. This is me as Virginia, below. She worked for the Post Office.

I was doing a serious play for the very first time. It was about the need for gay marriage, and I really didn't know if I could pull it off. I thought maybe people would feel ... well, I guess, basically that they couldn't take me seriously. That I was a good comic writer and actor, but I couldn't do serious drama. I really didn't know if it would work


So I performed. And NOBODY LAUGHED. Of course it was a serious play and they weren't SUPPOSED to laugh. That was the whole POINT. But now that they were silent, I had no idea what the hell they thought. I'd never experienced that before. It was my very first time performing my own work without that constant reassurance from

the audience that they were following along and enjoying the show. That was very unsettling. At the end, when people applauded, the lights were totally in my eyes. Usually they bring up the lights on the audience so the actors can see their faces. But this time they didn't. So I couldn't see anyone's expression.


So I went back to my dressing room still wondering if the play worked. In those days, people would often come backstage to the dressing room. Almost nobody does that anymore. But then it was very common. Even people who didn't know the actor, if they were very excited by the performance, would come back to the dressing room. And certainly good friends always did. I enjoyed that.


So I'm waiting for people to come back and tell me what they thought and I'm waiting and waiting. And by that point I'm pretty sure the play is a flop, and people are embarrassed to face me. And then FINALLY Z Budapest, who I had never met, walks in and tells me that I had gotten a standing ovation, which I didn't know because of the lights in my eyes, and IMMEDIATE FAMILY is a huge success! Z is a witch, so maybe she somehow felt my need for her presence. I will always be so grateful to her for coming backstage to congratulate me.


So on Saturday night, I will once again be stepping into the unknown. I hope you can come. But don't come backstage after. You can't do that at the Fringe. Wait outside and we'll go to Little Delhi restaurant, and you can tell me what you thought. Terry


Saturday, August 10 @ 7:30pm

Saturday, August 24 @ 12:00pm

Sunday, August 25 @ 3:00pm


Cutting Ball Theater

277 Taylor Street in San Francisco


Tix: $17.85

lesbo-solo.eventbrite.com